Recent Comments

Server virus
10/24/20, 12:04 AM
I live to serve the virus
10/23/20, 11:59 PM
I like this low key transistion. Lenoldi and the Coach, then to Snake and my dear Rugby Boy, only to be followed by the soldiers, and then....her. My heart sank. But it was so good. Do I trust her? At this point, I do. I didn't think I'd ever be interested in seeing her again, but now I look forward to seeing her again (and those are rare words in my life) On the flip side, I didn't like the feminization of the soldiers: "honey," throwing a kiss, sashay. Every other character seems to be growing in his masculinity (even Tully lol) and that just didn't fit.
Anonymous
10/23/20, 11:50 PM
Yes, you're confusing words like their/there, affect/effect and wear/where. The grammar checker is usually needed to pick up those cases of homophone confusion.
10/23/20, 11:30 PM
> It’s also rare that I go for the happy ending, which can anger the audience, as well. I’m very curious about what kind of love I’m gonna get when all is said and done with Book Two. When I discovered the David DeCocteau Brotherhood series, I was disappointed to discover that the hero never joins the villains, because I always thought the idea of him joining him would be more interesting and sexier. Having good always prevail felt like a betrayal of horror and queer horror in general. Plus I think it has to do with my dominant and submissive sides enjoying a description of an irreversible act of submission So I, for one, will probably be quite happy with the results.
10/23/20, 10:56 PM
yeah, continue!
10/23/20, 10:02 PM
nice start to the story cant wait to read next part... hope it'll b juicy & worth it
10/23/20, 10:00 PM
> Catering to the audience. And that’s fine… but I’ve always found erotic horror to have a little bit more meat to it > First of all, for the phrase "It’s an eroticized thanatos" you win the internet today! Congratulations! You said it so much better than I ever could -- I just write scary, but oddly erotic stories when I get high, man. I'm with you on erotic horror, tho. Many of my stories have some sort of sinister overtones that add a level of creepiness to the proceedings. It's also rare that I go for the happy ending, which can anger the audience, as well. I'm very curious about what kind of love I'm gonna get when all is said and done with Book Two. I think "horror" endings stay with a reader more than "happy" endings do. However, when people make emotional investments in characters and then those characters don't get the ending the reader wants and the reader FREAKS OUT!?! That's when I feel I've succeeded the most.
10/23/20, 9:44 PM
> ... they suddenly find themselves in a horror movie. It's a great twist. So often, erotica that features mind-control and loss of identity themes only focuses on them as fetishes because, well, people who read that kind of erotica tend to view them as fetishes. Catering to the audience. And that's fine... but I've always found erotic horror to have a little bit more meat to it: you're forced to confront how terrifying the thing you are secretly attracted to is, even as you long to experience it. It's like seeing the bones and shipwrecks strewn on the sirens' rocks, even as you steer your ship towards them. It's an eroticized *thanatos*, a simultaneous fear of and desire for that which we know will harm us. To lose one's sense of self, to die as the body lives on, an anonymous unit in a sea of drones... even as we recoil at the thought, some of us feel an awful longing for the liberation of obliteration.
10/23/20, 9:11 PM
Aw that was really sweet and hot. This was fantastic! :)
10/23/20, 8:40 PM
> The farming scene reminded me of a similar scene .... I got flashbacks to reading that scene as I read the opening episode. You took me to a good place with that. > Okay, that's super cool. The "seeding the field" image has been a large part of this story's make-up -- there've been dreams about it going all the way back to the early chapters of Book One. So it was really important for me that once we got to the actual, physical moment they discover that it was nothing like they thought it would be. I wanted the characters to have these kind of rapturous feelings associated with the farm so that when they find out what it really is and what it's going to do to them, they suddenly find themselves in a horror movie. But the best line of the chapter goes to Rugby Boy when he says, "“C’est la partie du film où quelque chose d’effrayant se produit.” *This is the part of the movie where something scary happens.